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¢º ´©°¡ ¿¹¼ö¸¦ Á׿´´Â°¡? Who Killed Jesus?


2000³â, super16mm, color, 18min 30 sec, Fiction

°¢º»/¿¬Ãâ : ¿ì¸®(¿ì¹ÎÈ£, À̼®±Ù)
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Á¶¿¬Ãâ : ÀçÁî ÅÍ³Ê l Æí Áý : À̼®±Ù
ºÐ Àå : Ä̸® l À½ ¾Ç : ÄÉÀÌÆ® ¸ÞÀ̺£¸®
»ç¿îµå : µ¥À̺ø ½ºÆ®¶û
ÇÁ·Î´ö¼Ç µðÀÚÀÎ : ½ºÆ¼ºê ¸®Ä¡

Ãâ ¿¬ : ¿¡µå¸®¾È Áêºê, Á¸ °Å³Ê¸®

¹è ±Þ : ¹Ì·ÎºñÁ¯

 

- 2001 ÀüÁÖ ±¹Á¦¿µÈ­Á¦ Çѱ¹´ÜÆí º»¼±
- 2001 ºÎ»ê ¾Æ½Ã¾Æ´ÜÆí¿µÈ­Á¦ ±¹³»Çʸ§ºÎ¹® º»¼±


Å©¸®½º¸¶½º À̺꿡 ½º½º·Î ¿¹¼ö¶ó ÁÖÀåÇÏ´Â »ç¶÷µéÀÌ µ¿½Ã¿¡ ·±´øÀÇ ÇÑ Á¤½Åº´¿ø¿¡ µé¾î¿Â´Ù. ±×³¯ ´çÁ÷ ÀÇ»çÀÎ ÆúÀº ±×µéÀ» ÇϳªÇϳª ¸¸³ª°Ô µÇ°í ±×µé°úÀÇ ´ëÈ­¸¦ ÅëÇØ ±×°¡ ÀúÁú·¶´ø °ú°ÅÀÇ Á˸¦ ´Ù½Ã µé¿©´Ùº¸°Ô µÈ´Ù. ½ÉÇÑ ÁËÀǽĿ¡ °íÅë ¹Þ´Â ÆúÀº ±íÀº È¥¶õ¿¡ ºüÁö°Ô µÇ¾î ÀÇ»ç·Î¼­ À̼ºÀûÀÎ ÆÇ´ÜÀ» ÀҾ±â ½ÃÀÛÇÑ´Ù.

¸¶Ä§³» ±×´Â ±×µé¿¡°Ô ±×ÀÇ Á˸¦ °í¹éÇÏ°Ô µÇ°í ¿ë¼­¸¦ °¥±¸ÇÑ´Ù. ±× °úÁ¤ ¼Ó¿¡¼­ ±×´Â ÇÑ »ç¶÷À» ÁøÁ¤ÇÑ ¿¹¼ö¶ó ¹Ï°í ´Ù¸¥ ÇÑ »ç¶÷Àº ´Ü¼øÇÑ Á¤½Å º´ÀÚ¶ó »ý°¢ÇÏ¸ç ¸¶Áö¸· ÇÑ »ç¶÷Àº °ú°Å¿¡ ±×¸¦ Á¶Á¤Çß´ø ¾Ç¸¶¶ó°í ¹Ï´Â´Ù.

±Þ±â¾ß ±×´Â ÁË¿¡ ´ëÇÑ ¿ë¼­ÀÇ º¸´äÀ¸·Î ¾Ç¸¶¸¦ Á×À̱â·Î °á½ÉÇÏ°Ô µÇ´Âµ¥¡¦.

n Who Killed Jesus? sets in a London hospital on Christmas Eve focusing on a young overworked psychiatrist and his three tragicomic patients. The three delusional Jesus Christs' lead the doctor on a journey reawakening repressed feelings of guilt from a tortured childhood, and as the psychiatrist becomes mentally unhinged the distinction between patient and doctor is blurred leading to a murder.
On one level a gripping, complex exploration of the modern science of psychology challenged by the grand narrative of Christian theology. And on another level, a moving, yet mystifying, portrayal of the psychological breakdown of a doctor who becomes a patient of Jesus. As the disciplines of psychology and religion are challenged reality becomes distorted and it's no longer clear if Jesus was murdered or even died¡¦



°ÅÁþ°ú Áø½Ç ±×¸®°í Çö½Ç°ú °¡»óÀÌ È¥µ· µÇ¾îÀÖ´Â ÀÌ ¼¼»ó ¾È¿¡¼­ ÈçÈ÷ ±âµ¶±³¿¡¼­ ¸»ÇÏ´Â ÁË¿Í ¹ú ±×¸®°í ¿ë¼­ÀÇ Àǹ̰¡ ¿ì¸®¿¡°Ô ¾î¶»°Ô Àû¿ëµÇ´Â°¡¸¦ »ý°¢ÇØ º¸°íÀÚ Çß´Ù. ¶Ç ´Ù¸¥ ÇÑÆíÀ¸·Î Á¤½ÅºÐ¼®ÇÐÀû ÀÔÀå¿¡¼­ »ç¶÷µé »çÀÌ¿¡ º¼ ¼ö ÀÖ´Â ÈûÀÇ °ü°è¸¦ Ç¥ÇöÇØ º¸°íÀÚ Çß´Ù.

Áï ÀÌ ¿µÈ­¿¡¼­´Â Á¤½Å°ú ÀÇ»çÀÎ Æú°ú ȯÀڵ鰣¿¡ ÈûÀÇ °ü°è°¡ ¾î¶»°Ô Ç¥ÇöµÇ°í º¯È­µÇ´Â°¡´Â ¿µÈ­ÀÇ ÇÑ ÃàÀ¸·Î Áß¿äÇÑ ºÎºÐÀ» Â÷ÁöÇÑ´Ù. ÀÌ·± ¸é¿¡¼­ ¹Ì½ºÅ׸®ÀûÀÎ ºÐÀ§±â¸¦ »ì¸®±â À§ÇØ ÀüüÀûÀ¸·Î ¿µÈ­ÀûÀÎ Çü½ÄÀ¸·Î ´À¿Í¸£ Çü½ÄÀ» ÃëÇß´Ù.

We'd like to try to show how we apply Christian theology of 'sin', 'punishment' and 'forgiveness' to ourselves in this post-modern world, where truth, false, real and not real are distortedly interwoven. We also attempted to focus on the power relations between individuals by using the aspects of psychology. Naturally, focusing on the portrayal of the psychological breakdown of the doctor was our main concern. And noir style was chosen to help create moving and mystifying atmosphere.




 

°¨ µ¶ - ¿ì¹ÎÈ£/À̼®±Ù

[ÇÁ·ÎÇÊ]
- 1997³â Áß¾Ó´ëÇб³ ¿µÈ­°ú Á¹¾÷
- 2000³â ·±´ø´ëÇб³ ¿µÈ­°ú ¼®»ç

[ÇÁ·ÎÇÊ]
- 1999³â Çø®¸Ó½º´ëÇб³ ¹æ¼ÛÇаú Çлç
- 2000³â ·±´ø´ëÇб³ ¿µÈ­°ú ¼®»ç

[Filmography]
- 2000³â <´©°¡ ¿¹¼ö¸¦ Á׿´´Â°¡?> ½´ÆÛ16¹Ì¸®, 18ºÐ
- 2000³â <±×´Â ¾Æ¸§´ä´Ù> º£Å¸Ä·, 12 ºÐ
- 1996³â <¹«¸íÀÇ¡¦> 16¹Ì¸®, 20ºÐ

 

 

 

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